Las óleos de todo GADDI, Taddeo
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ID |
Image |
Painting (From A to Z) |
Details |
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6760 |
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Allegory of the Cross sg |
Panel
Santa Croce, Florence |
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6754 |
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General view of the Baroncelli Chapel sg |
1328-30
Fresco
Cappella Baroncelli, Santa Croce, Florence |
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40137 |
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Life of the Virgin |
mk156
1300-66
c.1330
Fresco
Baroncelli Chapel
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64730 |
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Life of the Virgin |
1328-30 Fresco Cappella Baroncelli, Santa Croce, Florence Taddeo Gaddi, one of Giotto's pupils painted the Baroncelli Chapel in the church of Santa Croce in Florence around 1328, brilliantly employing the technical achievements of his teacher. His scenes for the Life of the Virgin were painted with two goals in mind. First, to compose the painting so that it corresponded to the form of the chapel bay, which was arched. Second, by means of the architecture of the painting itself, to create a sufficiently deep stage for the sequence of events to be played out. Gaddi came up with an ingenious solution for the upper section directly under the arch. He placed the architecture of the temple directly beside a cliff which looms up on the right so that in the the upper section a quatrefoil shape is created, an open space out of which he let an angel descend. This served to link the scenes Joachim Driven from the Temple and the Annunciation to Joachim. The sections below, with their alternating interiors and exteriors, appear as sets in front of which, and in which, the events take place. From the Meeting at the Golden Gate (top left) we move on to the Birth of St John the Baptist, the Virgin on her Way to the Temple, and finally the Betrothal to Joseph. As in San Francesco in Assisi, the architecture of the painting is closely linked to the architecture of the church, the continuous narrative to the way a viewer reads. Artist:GADDI, Taddeo Title: Life of the Virgin, 1301-1350, Italian , painting , religious |
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6755 |
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Life of the Virgin (detail) sdg |
1328-30
Fresco
Cappella Baroncelli, Santa Croce, Florence |
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6757 |
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Life of the Virgin (detail) dfhh |
1328-30
Fresco
Cappella Baroncelli, Santa Croce, Florence |
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6756 |
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Life of the Virgin (detail) dwry |
1328-30
Fresco
Cappella Baroncelli, Santa Croce, Florence |
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6763 |
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Life of the Virgin dgss |
1328-30
Fresco
Cappella Baroncelli, Santa Croce, Florence |
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6762 |
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Life of the Virgin sg |
1328-30
Fresco
Cappella Baroncelli, Santa Croce, Florence |
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6764 |
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Madonna and Child Enthroned with Angels and Saints sd |
1355
Tempera on wood, 154 x 80 cm
Galleria degli Uffizi, Florence |
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6759 |
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Presentation of Mary in the Temple dsg |
1327-30
Fresco
Cappella Baroncelli, Santa Croce, Florence |
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23294 |
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Saint Eligius in the Goldsmith's Shop (nn03) |
c 1365
Tempera on panel 35 x 39 cm 13 3/4 x 15 3/8 in Museo del Prado Madrid |
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6761 |
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Stigmatization of St Francis s |
Stained glass window
Cappella Baroncelli, Santa Croce, Florence |
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29698 |
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The Adoration of the Shepherds |
mk67
Tempera on panel
18 7/8x16 15/16in
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6758 |
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The Angelic Announcement to the Sheperds fg |
1327-30
Fresco
Cappella Baroncelli, Santa Croce, Florence |
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| GADDI, Taddeo
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| Italian Early Renaissance Painter, ca.1300-1366
Italian painter active in Florence. He was the son of a painter and mosaicist and a student of Giotto. His best-known works are frescoes in the church of Santa Croce in Florence. He directed a flourishing workshop for three decades, producing pictures in the style of Giotto but featuring more vivid picturesque effects with narrative detail. His son and pupil Agnolo (c. 1350 C 96) was an influential and prolific artist who likewise produced a notable series of frescoes for Santa Croce, The Legend of the True Cross
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